Sunday, 12 May 2013
Charles Avery Stone Mice - Making insignificant objects important
A Stone Mouse is: ´part animal, part mineral, whose heart beats only once every thousand year´
To identify a Stone Mouse: ´one must identify its central axis, being the line which runs between its two most extreme points (A and B), the distance AB being its length. This line must be occupied by the stone at all
points along it (so a banana-shaped stone would not qualify)´
Stone Mice need to: ´possess je ne sais quoi´
Sadly once taken from the Island and: ´subject to the harsh light of Reality… the Stone-mouse becomes merely a stone that looks like a mouse´
Sunday, 28 April 2013
Monday, 18 March 2013
Sunday, 17 March 2013
Interesting quotes
Allan Kaprow's ''Environments''. In 1958 at New York's Hansa Gallery.
''Notes on the creation of Total Art.''
'In the present exhibition we do not come to look at things. We simply enter, are surrounded, and become part of what surrounds us, passively or actively according to our talents for 'engagement', in much the same way that we have moved out of the totality of the street or our home where we also played a part.'
'What happens when nothing happens?' Paul Virilio interview on Georges Perec 2001
Italo Calvino 'the lightness of thoughtfulness [that] can make frivolity seem dull and heavy.'
''Notes on the creation of Total Art.''
'In the present exhibition we do not come to look at things. We simply enter, are surrounded, and become part of what surrounds us, passively or actively according to our talents for 'engagement', in much the same way that we have moved out of the totality of the street or our home where we also played a part.'
'What happens when nothing happens?' Paul Virilio interview on Georges Perec 2001
Italo Calvino 'the lightness of thoughtfulness [that] can make frivolity seem dull and heavy.'
Thursday, 7 March 2013
Monday, 11 February 2013
Tuesday, 5 February 2013
Andrea Buttner
Still from Little Works, 2007, video, 10:45 min. A video about craft objects produced by nuns in a closed Carmelite convent in Notting Hill London.
Untitled (three kings) , 2012, woodcut on paper, 130 x 214 cm
Tent (two colours), 2012, woodcut on paper, 142 x 232 cm
Tent (psycedelic), 2012, wood cut on paper, 140 x 155 cm
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